Lanzamiento: "Lila Downs y la Misteriosa en Paris - Live áFIP".



CD Version:
01. El Relampago 3:56
02. La Linea 4:47
03. La Martiniana 4:30
04. Cumbia Del Mole 4:08
05. Paloma Negra 4:32
06. Minimum Wage 4:27
07. Justicia 5:14
08. Yo Envidio El Viento 4:06
09. La Cucaracha 4:58
10. Los Pollos 3:48
11. Naila 3:32
12. Arenita Azul 3:25
13. La Iguana 4:31
14. La Llorona 5:47
15. Perro Negro 7:01

Itunes/Bonus Tracks Version:
16. La Sandunga (Bonus Track) 5:33
17. Vamonos (Bonus Track) 3:40

Released: 13 Apr 2010
℗ 2010 Cloud People Music

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La historia detrás de "Cariñito".

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Lila Downs Sings About Detained Children in New Manu Chao Cover

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When I think of social justice singer/songwriters, especially an artist that advocates for Latinos and indigenous people, there’s one that always comes to mind: Lila Downs. The Mexican songstress, by way of Oaxaca, has been bringing audiences prideful Mexican culture and music since the early ’90s. Her music resonates because of her powerful lyrics and voice, and she’s using that to bring awareness to the injustices happening at the border. Her new single titled “Clandestino” revamps the Manu Chao original to bring a beautiful rendition in which she takes on immigration by targeting the U.S. government and their appalling treatment of undocumented children. According to a press release statement, Downs “airs political grievances with U.S.-Mexico immigration policies and the detention centers holding migrant children.” In the song, she poses the question “If we don’t fight for the children, what will become of us?” The song will be featured on her new album Al Chile set to be re...
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Lila Downs - Border / Narada World It's only a year since Downs issued her last, remarkable album. But she obviously has a lot to say, and her third release focuses on the Mexican border and the migrant workers. Musically it's her most adventurous outing to date, experimenting with form and feel. And like all experiments, not everything works. In fact, where she harks back to the jazziness of her debut she seems weakest. It's when she's taking chances, as on the hip-hop inflected "Sale Sobrando," that things really take off, while the acerbic "Smoke" and an odd, bust mostly compelling medley of "Pastures Of Plenty/This Land Is Your Land/Land" not only fits in thematically, but pushes a couple of sonic envelopes too. Downs's voice continues to grow, both physically and as an artist. And the fact that she's willing to risk so much so often is all to her lasting credit. FUENTE
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